“As I work to strip away the lies, I see why it was I needed each of them. Or maybe as I outgrow the need for each lie, it becomes clear to me for what it is, becomes defined and articulate, and slips away, but not before I get a glimpse of all the other lies — and a few truths, too — it was connected to. Sometimes it feels as if I am unravelling, but I no longer think that’s a bad thing. Maybe when I’m done unravelling there will be time enough remaining to make something new of myself, something more of my own design.”
Richard Hoffman sometimes felt as though he had two fathers: the real one who raised him, and an imaginary version—one he talked to on the phone, and one he talked to in his head. Although he was always close to the man, his father remained a mystery, shrouded in a perplexing mix of tenderness and rage. When his father receives a terminal cancer diagnosis, Hoffman confronts the depths and limitations of their lifelong struggle to know each other, weighing their differences and coming to understand that their yearning and puzzlement was mutual.
With familial relationships at it center, Love & Fury draws connections between past and present, from the author’s grandfather, a “breaker boy” sent down into the anthracite mines of Pennsylvania at the age of ten, to his young grandson, whose father is among the estimated one million young Black men incarcerated today. In a critique of culture and of self, Hoffman grapples with the way we have absorbed and incorporated the compelling imagery of post WWII America and its values, especially regarding class, war, women, race, masculinity, violence, divinity, and wealth.
A masterful memoirist, Hoffman writes not only to tell a gripping story but also to understand, through his family, the social, familial, and ethical contours of American life. At the book’s core are the author’s questions about boyhood, fatherhood, and grandfatherhood, and about the changing meaning of what it means to be a good man in America, now and into the future.
“What a soul-saving joy it is to encounter Richard Hoffman’s masterful and necessary Love & Fury. What makes Hoffman so good at the memoir form is a rare combination of honest self-scrutiny, fairness, intellectual rigor, and emotional bravery. But what makes this book so important is what Hoffman excavates here layer by layer: how shaped and often shackled we are by the past, one that is bloody, racist, patriarchal, and as class- stratified as ever. —Andre Dubus III, author of Townie: A Memoir
“Love & Fury says something true and revelatory about the broken but stubborn connection between fathers and sons. I read page on page with my mouth open, my own heart-breaking memories flooding alongside Hoffman’s. This is the book I needed—though when I took it up, I did not know that. I am grateful that this hard work has been done, and we have this comfort—an unsparing examination of just how resilient family can be.” —Dorothy Allison, author of Bastard out of Carolina
“Love & Fury is as clear, as elemental, as essential, as water. Richard Hoffman has a remarkable way of conjuring his flesh and blood onto the page while at the same time allowing them to dissolve in our hands. He tracks what is known, what is remembered, what is surmised, and comes to the edge of what will always remain a mystery—then, again and again, takes one thrilling step across that threshold.” —Nick Flynn, author of Another Bullshit Night in Suck City
“A reckoning with searing disappointment, Love & Fury is, equally, the transformation of disappointment into the true expression that alone defines our hope.” —James Carroll, author of American Requiem and Warburg in Rome
“Love & Fury sets new standards for honesty, daring and bracing self-examination. Hoffman peels away the lies, vanities and convenient half-truths in a struggle to attain that rarest and seemingly least-valued of contemporary virtues, humility. He is aided by a pack of troubles, which keeps the story-telling tense, gripping and fierce. Hoffman shows us just how complex a business is it to try to be decent, day to day, in a perfect storm of ambivalence.” —Phillip Lopate, author of Getting Personal: Selected Writings
“Sifting the connections between our fathers and ourselves is often an exhausting, frustrating and somehow irresistible business. Few have explored them with such rigor, compassion and exemplary self-scrutiny as Richard Hoffman. His Half the House, brilliant and challenging, is an extremely tough act to follow; in Love & Fury, Hoffman manages it with characteristic candor, insight and grace.” —Jabari Asim, author of The N Word: Who Can Say It, Who Shouldn’t, and Why