Books

love and fury coverLove & Fury

“Masterful and necessary…. What makes Hoffman so good at the memoir form is a rare combination of honest self-scrutiny, fairness, intellectual rigor, and emotional bravery. But what makes this book so important is what Hoffman excavates here layer by layer: how shaped and often shackled we are by the past, one that is bloody, racist, patriarchal, and as class- stratified as ever. —Andre Dubus III, author of Townie: A Memoir
 

emblem coverEmblem: Poems
“An extraordinary book. Hoffman knows poetic forms, and he handles them deftly. His poems move beyond form to inhabit the places where our human selves reside, the country of the heart, the city of the mind. I admire this poet for his verve, and I follow where he leads. —Pablo Medina, author of The Man Who Wrote on Water
 
 
interference coverInterference & Other Stories

“The stories in Interference are moving, wise, and bracingly unsentimental. Richard Hoffman writes about male sadness and vulnerability with unusual insight and tough-minded compassion.” – Tom Perrotta”These stories of ordinary and extraordinary heartbreak investigate centuries-old themes with details that are at once familiar and surprising. Humorous or brutal, transgressive or redemptive, each story is full of wisdom and beauty.” —Kyoko Mori
 
 
gold star road coverGold Star Road: Poems

Selected for the Barrow Street Press Poetry Prize

Winner of The New England Poetry Club’s Sheila Motton Book Award for best book of the previous two years.
 
 
without paradise coverWithout Paradise: Poems

“Richard Hoffman’s poems are quietly daring. In an era dominated by the ‘plain style’, he achieves formal elegance without stooping to mere facility. In an age of sometimes ponderous confessionalism, he dares to be funny (but never sardonic or facetious). Still these are poems of high aspiration and accomplishment, that contemplate large and deep issues with power and conviction.” —John Hildebidle
 
 
Half the House coverHalf the House: A Memoir

“Hoffman makes very clear the complex encounter of his old life and his new one. There are no easy wrap-ups, no comforting bromides. But in the generational panorama we suddenly discern that a hard, brave victory has been achieved. The family saga has come full circle. Hoffman, sober, a father, has not only lived to tell the tale. He has worked to understand it and fashion it into art.” —Sven Birkerts in The Art of Time in Memoir: Then, Again